Yi Jing Hexagram 51
The hexagram: 51
An hexagram is a combination of six yin and yang lines.
51 - Shock
Something is coming which enables the identification of a problem.
Bing DeepL Google YandexThe trigrams
The trigrams are combinations of three yin and yang lines. The three bottom lines of the hexagram form the lower trigram and represent the inner situation. The three top lines form the upper trigram and represent the outer situation.
Upper trigram: The thunder
Lower trigram: The thunder
Line Comments
The lines represent the evolution of the hexagram, from the bottom (young) to the top (old).
51.4 (51 > 24) - Being bogged down
One has to free oneself from others before one can go any further.
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51.5 (51 > 17) - Getting pushed around
One holds firm when the tremors begin, accompanies the others and endures them until they stop.
Bing DeepL Google YandexThe nuclear hexagram: 39
The nuclear hexagram is the association of the two inner trigrams (lines 2,3,4 and 3,4,5). It represents the root, or the origin of the situation.
39 - Uncertainty
Solving a difficulty requires a patient study. If one fails, one will receive help after showing that one has done one's best.
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The mirror hexagram: 52
The mirror hexagram shows a movement in the reverse direction. When an hexagram is its own mirror, it either means that the hexagram goes in both directions or does not move at all.
Mutations
51.1.2 (51 > 40) - Playing to the gallery with clumsy humour
One dresses up to look different.
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51.1.3 (51 > 62) - Shock
One dreams of escape even though one knows that one should not leave before the goal is reached.
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51.2.3 (51 > 34) - Shock
One makes a summary to explain to others what it is about.
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51.1.2.3 (51 > 32) - Shock
One catches up on idle talk to make it possible.
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51.4 (51 > 24) - Being bogged down
One has to free oneself from others before one can go any further.
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51.1.4 (51 > 2) - Losing sight of the general interest
One takes care of the essential instead of disturbing others by seeking to innovate.
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51.2.4 (51 > 19) - Shock
One complains of a strange clumsiness that seemed to have been prepared beforehand.
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51.3.4 (51 > 36) - Shock
One returns to surprise those who thought one had disappeared.
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51.1.3.4 (51 > 15) - Shock
One has claimed to be aware of facts that never happened.
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51.2.3.4 (51 > 11) - Shock
One is hard hit by the amount of work one has had to face.
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51.1.2.3.4 (51 > 46) - Shock
One gets enthusiastic, so one proves right to those who reveal intimate details.
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51.5 (51 > 17) - Getting pushed around
One holds firm when the tremors begin, accompanies the others and endures them until they stop.
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51.1.5 (51 > 45) - Growing plants in fertile soil
One seeds the soil so that it can be harvested later.
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51.2.5 (51 > 58) - Shock
One professes to anyone who wants to hear it that one must not look guilty in order not to be chucked away.
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51.1.2.5 (51 > 47) - Shock
One presents one's plan even though the others have already made provision for everything.
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51.3.5 (51 > 49) - Shock
One and those who have taken the liberty to make empty promises are like two peas in the pod.
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51.1.3.5 (51 > 31) - Shock
One has received invaluable help and is striving to preserve it for a long time.
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51.2.3.5 (51 > 43) - Shock
One lets others believe that their chances of winning are almost nil.
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51.1.2.3.5 (51 > 28) - Shock
One tempers one's enthusiasm because others have not been so lucky.
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51.4.5 (51 > 3) - Shock
One tries to follow the instinct of one' s predecessors in order to be able to do like them.
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51.1.4.5 (51 > 8) - Shock
One thinks to be in a better position than those who claim they can win.
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51.2.4.5 (51 > 60) - Shock
One talks to another again after a long period of silence.
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51.1.2.4.5 (51 > 29) - Shock
One goes straight ahead so as not to be tempted by the distractions that others offer.
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51.3.4.5 (51 > 63) - Shock
One makes more effort than necessary because one came here to let off some steam.
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51.1.3.4.5 (51 > 39) - Shock
One returns empty-handed because one didn't understand what means to use.
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51.1.2.3.4.5 (51 > 48) - Shock
One is proud to be able to tell others why one should do it like this.
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51.6 (51 > 21) - Taking refuge in the heights
One has lost the weakest, so one keeps a low profile until they change.
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51.1.6 (51 > 35) - Shock
One is expert at making others say the opposite of what they wanted.
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51.2.6 (51 > 38) - Shock
One guesses what to do, but others want logical reasoning.
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51.1.2.6 (51 > 64) - Shock
One shows a little enthusiasm to not disappoint one's most fervent admirers.
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51.3.6 (51 > 30) - Shock
One is dying to tell others what one really thinks of them.
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51.1.3.6 (51 > 56) - Shock
One loses one's pursuers by making them take another road.
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51.2.3.6 (51 > 14) - Shock
One tries to understand why others have not yet arrived.
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51.1.2.3.6 (51 > 50) - Shock
One is bustling around those who have planned to get carried away.
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51.4.6 (51 > 27) - Shock
One asks others what one cannot provide by oneself.
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51.1.4.6 (51 > 23) - Shock
One consults the archives to find a lost document.
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51.2.4.6 (51 > 41) - Shock
One tries to catch the others off guard but they rejoice and respond in a scathing way.
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51.3.4.6 (51 > 22) - Shock
One weighs one' s words before making comments that can be humiliating for one' s interlocutors.
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51.1.3.4.6 (51 > 52) - Shock
One indulges in shenanigans so as not to be regarded as all and sundry.
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51.2.3.4.6 (51 > 26) - Shock
One tumbles preconceived ideas by ending one's sentences abruptly.
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51.1.2.3.4.6 (51 > 18) - Shock
One extends one's study to related fields in order to understand how the whole thing works.
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51.5.6 (51 > 25) - Shock
One respects one's guests without being used as a house servant.
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51.2.5.6 (51 > 10) - Shock
One takes leave of those with whom one has shared suffering.
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51.1.2.5.6 (51 > 6) - Shock
One holds back one's allies to make them understand that they must not go any further.
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51.3.5.6 (51 > 13) - Shock
One challenges the reality of the facts that others claimed to have experienced.
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51.1.3.5.6 (51 > 33) - Shock
One criticizes with great passion the opponents of those one protects.
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51.2.3.5.6 (51 > 1) - Shock
One raises a point to which everybody will agree upon.
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51.1.2.3.5.6 (51 > 44) - Shock
One is still allowed to compete because the judges have chosen to be reckless.
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51.4.5.6 (51 > 42) - Shock
One complicates the situation to keep the audience on their toes.
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51.1.4.5.6 (51 > 20) - Shock
One imagines seeing things that others cannot understand.
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51.2.4.5.6 (51 > 61) - Shock
One says that others have never had the slightest opportunity to do what one came for.
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51.1.2.4.5.6 (51 > 59) - Shock
One carefully weighs the chances of being able to reach one's goal without any resistance.
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51.3.4.5.6 (51 > 37) - Shock
One fills out a form to obtain special rights.
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51.1.3.4.5.6 (51 > 53) - Shock
One tells one's life to strangers because they don't know who they are dealing with.
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51.2.3.4.5.6 (51 > 9) - Shock
One shows one's friends what are the difficulties that others have hidden.
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51.1.2.3.4.5.6 (51 > 57) - Shock
One apologizes profusely so as not to have to do more chores.
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