Yi Jing Hexagram 51 - Line 4
The hexagram: 51
An hexagram is a combination of six yin and yang lines.
51.4 (51 > 24) - Being bogged down
One has to free oneself from others before one can go any further.
Bing DeepL Google YandexThe trigrams
The trigrams are combinations of three yin and yang lines. The three bottom lines of the hexagram form the lower trigram and represent the inner situation. The three top lines form the upper trigram and represent the outer situation.
trigSup2


trigInf

The nuclear hexagram: 39.3.5 (39 > 2)
The nuclear hexagram is the association of the two inner trigrams (lines 2,3,4 and 3,4,5). It represents the root, or the origin of the situation.
39.3.5 (39 > 2) - Taking a step back in order to move forward
One organizes oneself to work around the blockages.
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The same line number on the mutated hexagram. It reperesents what can be done AFTER to correct the situation described by this line, as a sort of remedy or solution.
24.4 (24 > 51) - Freeing oneself from discomfort
One sees that others exaggerate, so one moves away.
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51.4 (51 > 24) - Being bogged down
One has to free oneself from others before one can go any further.
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51.1.4 (51 > 2) - Losing sight of the general interest
One takes care of the essential instead of disturbing others by seeking to innovate.
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51.2.4 (51 > 19) - Shock
One complains of a strange clumsiness that seemed to have been prepared beforehand.
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51.3.4 (51 > 36) - Shock
One returns to surprise those who thought one had disappeared.
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51.1.3.4 (51 > 15) - Shock
One has claimed to be aware of facts that never happened.
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51.2.3.4 (51 > 11) - Shock
One is hard hit by the amount of work one has had to face.
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51.1.2.3.4 (51 > 46) - Shock
One gets enthusiastic, so one proves right to those who reveal intimate details.
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51.4.5 (51 > 3) - Shock
One tries to follow the instinct of one' s predecessors in order to be able to do like them.
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51.1.4.5 (51 > 8) - Shock
One thinks to be in a better position than those who claim they can win.
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51.2.4.5 (51 > 60) - Shock
One talks to another again after a long period of silence.
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51.1.2.4.5 (51 > 29) - Shock
One goes straight ahead so as not to be tempted by the distractions that others offer.
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51.3.4.5 (51 > 63) - Shock
One makes more effort than necessary because one came here to let off some steam.
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51.1.3.4.5 (51 > 39) - Shock
One returns empty-handed because one didn't understand what means to use.
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51.1.2.3.4.5 (51 > 48) - Shock
One is proud to be able to tell others why one should do it like this.
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51.4.6 (51 > 27) - Shock
One asks others what one cannot provide by oneself.
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51.1.4.6 (51 > 23) - Shock
One consults the archives to find a lost document.
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51.2.4.6 (51 > 41) - Shock
One tries to catch the others off guard but they rejoice and respond in a scathing way.
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51.3.4.6 (51 > 22) - Shock
One weighs one' s words before making comments that can be humiliating for one' s interlocutors.
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51.1.3.4.6 (51 > 52) - Shock
One indulges in shenanigans so as not to be regarded as all and sundry.
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51.2.3.4.6 (51 > 26) - Shock
One tumbles preconceived ideas by ending one's sentences abruptly.
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51.1.2.3.4.6 (51 > 18) - Shock
One extends one's study to related fields in order to understand how the whole thing works.
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51.4.5.6 (51 > 42) - Shock
One complicates the situation to keep the audience on their toes.
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51.1.4.5.6 (51 > 20) - Shock
One imagines seeing things that others cannot understand.
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51.2.4.5.6 (51 > 61) - Shock
One says that others have never had the slightest opportunity to do what one came for.
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51.1.2.4.5.6 (51 > 59) - Shock
One carefully weighs the chances of being able to reach one's goal without any resistance.
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51.3.4.5.6 (51 > 37) - Shock
One fills out a form to obtain special rights.
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51.1.3.4.5.6 (51 > 53) - Shock
One tells one's life to strangers because they don't know who they are dealing with.
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51.2.3.4.5.6 (51 > 9) - Shock
One shows one's friends what are the difficulties that others have hidden.
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51.1.2.3.4.5.6 (51 > 57) - Shock
One apologizes profusely so as not to have to do more chores.
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