Yi Jing Hexagram 51 - Line 6
The hexagram: 51
An hexagram is a combination of six yin and yang lines.
51.6 (51 > 21) - Taking refuge in the heights
One has lost the weakest, so one keeps a low profile until they change.
Bing DeepL Google YandexThe trigrams
The trigrams are combinations of three yin and yang lines. The three bottom lines of the hexagram form the lower trigram and represent the inner situation. The three top lines form the upper trigram and represent the outer situation.
trigSup2


trigInf

The nuclear hexagram: 39
The nuclear hexagram is the association of the two inner trigrams (lines 2,3,4 and 3,4,5). It represents the root, or the origin of the situation.
39 - Uncertainty
Solving a difficulty requires a patient study. If one fails, one will receive help after showing that one has done one's best.
Bing DeepL Google YandexThe derived (Fan Yao)
The same line number on the mutated hexagram. It reperesents what can be done AFTER to correct the situation described by this line, as a sort of remedy or solution.
21.6 (21 > 51) - Condemning the lack of care
One has stopped being unstable but others are waiting for answers before one can rest.
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51.6 (51 > 21) - Taking refuge in the heights
One has lost the weakest, so one keeps a low profile until they change.
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51.1.6 (51 > 35) - Shock
One is expert at making others say the opposite of what they wanted.
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51.2.6 (51 > 38) - Shock
One guesses what to do, but others want logical reasoning.
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51.1.2.6 (51 > 64) - Shock
One shows a little enthusiasm to not disappoint one's most fervent admirers.
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51.3.6 (51 > 30) - Shock
One is dying to tell others what one really thinks of them.
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51.1.3.6 (51 > 56) - Shock
One loses one's pursuers by making them take another road.
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51.2.3.6 (51 > 14) - Shock
One tries to understand why others have not yet arrived.
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51.1.2.3.6 (51 > 50) - Shock
One is bustling around those who have planned to get carried away.
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51.4.6 (51 > 27) - Shock
One asks others what one cannot provide by oneself.
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51.1.4.6 (51 > 23) - Shock
One consults the archives to find a lost document.
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51.2.4.6 (51 > 41) - Shock
One tries to catch the others off guard but they rejoice and respond in a scathing way.
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51.3.4.6 (51 > 22) - Shock
One weighs one' s words before making comments that can be humiliating for one' s interlocutors.
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51.1.3.4.6 (51 > 52) - Shock
One indulges in shenanigans so as not to be regarded as all and sundry.
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51.2.3.4.6 (51 > 26) - Shock
One tumbles preconceived ideas by ending one's sentences abruptly.
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51.1.2.3.4.6 (51 > 18) - Shock
One extends one's study to related fields in order to understand how the whole thing works.
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51.5.6 (51 > 25) - Shock
One respects one's guests without being used as a house servant.
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51.2.5.6 (51 > 10) - Shock
One takes leave of those with whom one has shared suffering.
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51.1.2.5.6 (51 > 6) - Shock
One holds back one's allies to make them understand that they must not go any further.
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51.3.5.6 (51 > 13) - Shock
One challenges the reality of the facts that others claimed to have experienced.
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51.1.3.5.6 (51 > 33) - Shock
One criticizes with great passion the opponents of those one protects.
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51.2.3.5.6 (51 > 1) - Shock
One raises a point to which everybody will agree upon.
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51.1.2.3.5.6 (51 > 44) - Shock
One is still allowed to compete because the judges have chosen to be reckless.
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51.4.5.6 (51 > 42) - Shock
One complicates the situation to keep the audience on their toes.
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51.1.4.5.6 (51 > 20) - Shock
One imagines seeing things that others cannot understand.
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51.2.4.5.6 (51 > 61) - Shock
One says that others have never had the slightest opportunity to do what one came for.
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51.1.2.4.5.6 (51 > 59) - Shock
One carefully weighs the chances of being able to reach one's goal without any resistance.
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51.3.4.5.6 (51 > 37) - Shock
One fills out a form to obtain special rights.
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51.1.3.4.5.6 (51 > 53) - Shock
One tells one's life to strangers because they don't know who they are dealing with.
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51.2.3.4.5.6 (51 > 9) - Shock
One shows one's friends what are the difficulties that others have hidden.
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51.1.2.3.4.5.6 (51 > 57) - Shock
One apologizes profusely so as not to have to do more chores.
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